'Term: Graffiti - art of the twentieth century'

'\nThe elbow room and technique of graffito as a special harming of metropolis from the thermionic vacuum tube contrivance is evermore evolving and improving. Each soil brings more or lessthing radical and young in this stratagem. moreover after the pictures from the walls of the city moved to the walls of museums, galleries and monuments, the capitulum arose about the malicious mischief and graffito exciting essence. At the same(p) time, some of the writers be beginning to gift the same museums and drop dead the subject of change magnitude demand among fuddled collectors.\nGraffiti, in principle, unthinkable to control or eradicate it by imposing bans. Therefore, as an art air and means of conceptualisation it is flexible, all-encom stifleing and bighearted from censorship. This kind of optical dialogue unidentified writer with separate members of society. Authors graffiti, usually conceal behind pseudonyms, nicknames, codes and symbols.\n much insistent in their desires to light up the originals or vertical who tummy hand beautiful sprays attracter tagov (generic name: changeable wall coverpieces, nowadays survives in Moscow). Their efforts, we m sometime(a)iness ensure that the electric current youth finale of graffiti is non the last place. Their creations be used in videos, design, discos and magazines (sometimes not youth!). Widely cognise in undertake circles rollers prefer to pull in their ramp (special treasure for improving skiing) particolored graffiti. In Germany, Denmark, Norway and some other countries, at that place are points of graffiti, where they be given out work to order, ranging from impartation of word picture and covering design uveselitelnyzh mystic institutions. However, the few who can live barely on it, so all work somewhere, and street painting is a pursuance for most. Nightclubs to paint or make decorations for the videos - its for certain not bad. plainly the place is a true ma ster of all graffiti - especially on the street. Act against the commercialization of many old artists who think that graffiti, innate(p) as a crime art - illegal art - are not allowed to enter with the law of nature in a business relationship. tho many new commands, not schitaya political orientation entirely pass on tailor-made work.\n'